I've never been much of a TV watcher (save for my favorite Food Network shows), but when I find something I like, I'm fiercely loyal.
In fact, in the absence of anything new that's really commanded my attention, I'll often revisit my tried-and-true standbys like "Gilmore Girls," "Alias," "Friends" and "Felicity," not to mention Will and I's recent find, the hilarious adventures of Bret and Jemaine on "Flight of the Conchords."
For the record, we know "Concords" was shown on HBO ages ago, but it's still new to us, so there. :)
But after a while, even your favorite shows need to be retired (at least, temporarily), so I decided to DVR some potentially promising options that debuted last week—"New Girl," starring the always-adorable Zooey Deschanel, "Whitney," starring Chelsea Handler's snarky sidekick and "Two Broke Girls" with Kat Dennings because, well, sarcasm never goes out of the style, right?
Based on what I read in Entertainment Weekly's annual TV preview, I fully expected that "New Girl" would be my new favorite, hands down. Crowned the "best new comedy" of the fall by countless critics I respect, I was actually puzzled by my lack of enthusiasm once the closing credits rolled.
There was something about it that just rang hollow, and trust me, I wasn't exactly expecting War and Peace. Not only was it impossible to buy the impossibly cute Deschanel as this total dork (sorry, but oversized glasses and dated denim overalls isn't enough to scream "undatable doofus"), but the brand of zany they're selling (her character, Jess, not only reverts to watching Dirty Dancing whenever she's sad, but she randomly sings nonsensical lyrics whenever the mood strikes, too) is actually far more cloying than endearing. And considering Jess is who we're supposed to care the most about, that's not a good thing.
Meanwhile, don't even get me started on those roommates of hers... Sure, they're textbook attractive, but there's not much else going on there, definitely nothing resembling actual personalities. Even the characters from TBS's My Boys (which had a similar premise) made a more memorable impression the first time I watched it. Nonetheless, I'm still hoping there's just something I didn't "get" the first time around and that the second episode will be better. Fingers crossed, anyway.
As for "Whitney," I wasn't really expecting much, and I was mildly amused by her antics. Like the TV spots I saw again and again during NBC's Sunday night football, she's like the best friend in your average rom-com—kooky, full of zingy one-liners and lacking any real sense of decorum in meaningful social occasions like weddings. If anything, you're left wondering if her staunch, non-comfortist shtick can be entertaining for the long haul. Only time will tell, I guess, but I'm still willing to give Whitney a shot.
Last but not least, "Two Broke Girls" was probably the biggest surprise of them all. Funny from beginning to end with a storyline that actually seemed to be going somewhere (yes, the aforementioned shows had that whimiscal, make-it-up-as-we-go quality), I was charmed by the tale of two girls who share very, very little in common but are forced to work together anyway.
Now as far as sitcoms storylines go, the show's decidedly modern "Laverne and Shirley" approach, where Brooklyn stands in for Milwaukee, isn't exactly new. But "Two Broke Girls" still held my attention, made me laugh and left me wondering what's going to happen next, which is precisely what every story worth its salt will do.
Plus, the fact that it's served with a heaping side of sarcasm definitely doesn't hurt the cause either. If someone told me that Diablo Cody wrote the teleplay, I wouldn't have been the least bit surprised. Imagine Juno as a waitress with Blake Lively's snobbish "Gossip Girl" character (on a newly strict budget) as her uppity sidekick, and you've pretty much got "Two Broke Girls." It doesn't reinvent the proverbial wheel, but it sure is fun...or at least, the first episode was, anyway...
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