I know, I know, nobody really listens to albums anymore, thanks to that wonderous gizmo, the iPod.
And trust me, I'm definitely not anti-iPod. I absolutely love mine. It's adorableness personified. For starters, it's hot pink (so what's not to love?) and how else, short of making a weirdo mixtape, could I ever hear Mumford & Sons, Debussy, Norah Jones, Simple Minds, Matt Redman and Ella Fitzgerald in the same set?
But as cool as the iPod's "shuffle" setting is, I suspect there are still a few music lovers out there who enjoy the immense pleasure of hearing an entire CD the way the artist intended—from start to finish. After all, there is an art to sequencing an album, and I like taking advantage of that from time to time.
So that idea is precisely what inspired today's list—10 Albums I Never Have to Cherry-Pick Through. Unlike the old days where you were stuck buying an entire CD for that one song you loved on the radio (total waste of money, I know), that's no longer the case in the mad, mad world of downloading.
Truth be told, it's a rarity when you come across an entire album that you like soooo much, you're actually willing to download the whole thing, let alone listen all the way through. But over the years, I've come across a few choice selections worthy of everyone's full, unadulterated attention, and with no further yammering on and on, here they are...
Radiohead, OK Computer-I've always had a thing for British bands, and Radiohead is pretty much tops in my book. In fact, they're the last band left on my "Artists I Absolutely, Positively Must See Live Before I Die" list. Now if someone could just persuade them to come back to the States and play somewhere other than NYC...
Ok, back on topic...OK Computer hit stores when I was college, and I was absolutely smitten at first listen. After a steady diet of Blur and Oasis (yeah, I loved 'em both and didn't take sides in their feud), my ears were definitely ready for something new, and OK Computer hit the spot in every possible way. Not only was the production something entirely new for 1997 (and something that's been unsuccessfully imitated by practically every Brit rock band around), but Thom Yorke's signature falsetto never sounded so beautiful and yet thoroughly creepy at the same time. And yeah, I'm still bummed they didn't win "Record of the Year" for OK Computer at the Grammy's because they totally deserved to.
Josh Rouse, Nashville-Before we even knew each other, Will and I both loved going to Tower Records (R.I.P.) in Nashville where we'd put on those hideous oversized headphones and listen to new music. And once we met, that tradition continued, and that's where Josh Rouse's Nashville album comes in. Will told me I'd absolutely love this album, and he was dead on.
It's been five years since it released, and I still listen to it regularly from start to finish. There's just something so warm and inviting and perfectly mellow about it. And yes, it always reminds me of Nashville and when Will and I were dating, so there's happy memories beyond these stellar songs, too.
U2, Achtung Baby-Yeah, I know, I'm supposed to say The Joshua Tree. But the album that made me fall in love with U2 was Achtung Baby. There, I said it. Supposedly, the band argued and argued about the musical direction, and I think it totally paid off. I love how progressive the music was for its time and how darkly introspective the lyrics are. Plus, I think Bono's vocals have never sounded better, particularly on "Zoo Station," "Ultraviolet (Light My Way)" and "Love is Blindness."
Keane, Hopes and Fears-In my opinion, Keane has yet to make a bad album, and that's pretty incredible, considering they've already made four. But their first, Hopes and Fears, is still my favorite, hands down. Tom Chaplin's vocals are nothing short of mindblowing, and it's actually quite amazing what a band can do without guitars in the mix. Yeah, I never thought mostly relying on a piano for the accompaniment would work either, but it does—really.
Sarah McLachlan, Surfacing-From her longing in the songwriting to Sarah's gorgeous soprano, it's absolutely exquisite.
The Beatles, Revolver-In the proverbial desert island situation, this is The Beatles' CD I would've grabbed before the iPod was invented. I love the mood and those crazy psychadelic textures, plus if you're all by yourself on a desert island, you may as well mope and cry a little. And listening to "Eleanor Rigby" would definitely help set the mood, wouldn't ya say?
Ray LaMontagne, Trouble-That sad, sad voice gets me every time, what can I say?
Jars of Clay, Jars of Clay-The band would probably cringe at my choice, and yes, they've certainly made better, more inventive music since their much-ballyhooed debut. But this album is part of my college time capsule, pure and simple. I played it over and over (and over again), much to the chagrin of my 2nd floor neighbors, and to this day, I still love these songs, particularly "Love Song for a Savior," "Art in Me," "Liquid" and "Boy on a String."
John Mayer, Heavier Things-After listening to Room for Squares for the better part of two years, I was pretty sure that John Mayer didn't have another album in him that was equal to that. But as it turns out, he did, and it's even better, thanks to killer tracks like "Clarity," "Wheel" and "Something's Missing."
Ella Fitzgerald, The Best of the Songbooks: Love Songs-During my third year in Nashville in 2003, I went through a phase when I listened to nothing but Ella Fitzgerald for almost six months, and really, who could blame me? What a voice! While it's really difficult to choose a favorite from her "songbooks" collections, I find myself revisiting Love Songs again and again because it's got timeless gems like "From This Moment On," "Love You Madly" and "Solitude."
Honorable Mentions: Other albums that totally fit this bill are Ryan Adams' Gold, Death Cab for Cutie's Transatlanticism, Beck's Sea Change, U2's All That We Can't Leave Behind, Switchfoot's The Beautiful Letdown, Gavin DeGraw's Chariot, Ben Folds Five's Whatever and Ever Amen and Harry Connick Jr.'s We Are in Love.
Now it's your turn, readers. What are some of the albums you never have to cherry-pick through and why? Any new bands I should be listening to pronto?
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