Truth be told, it hasn't been easy calling myself a John Mayer fan lately. While it's been relatively easy in the past to separate the music from the man with the annoying tendency to overshare (read any of his previous tweets, and you'll know exactly what I'm talking about), his recent comments have not only been racist and insulting, but have lacked anything resembling good taste.
Mind you, it's not that I expect my favorite rock stars to abide by a certain moral code, that's a personal choice. But some things simply cross the line of common decency, and Mayer's comments, whether to Rolling Stone or Playboy, did that in spades. I was disgusted for everyone involved—even Jessica Simpson—and as a result, probably wouldn't have bought tickets after hearing all those foul things he said on the record.
Since I got my tickets for the "Battle Studies" tour long before Mayer's reckless words made headlines in seemingly every publication 'round the globe (they were a birthday present from my sweetie), Will and I went to his show at the Xcel Center last night, hoping that he'd shut his mouth and stick with what he does best: playing great pop songs.
And that's exactly what he did, save for his rambling quasi-mea culpa where he briefly alluded to his bad judgment and thanked the audience for its constant support of him anyway, a nice-ish gesture of goodwill and an acknowledgment that he messed up—big time.
Aside from that, the rest of the evening was wisely dedicated to Mayer's songs of past and present, a well-chosen set list that mostly focused on his latest album, Battle Studies. While Battle Studies is definitely not my favorite album in Mayer's discography, the songs (even ho-hum ones like "Assassins" and "Perfectly Lonely") do translate very well in the live setting, thanks to a better sound system (there was something decidedly flat about the actual recording, in my opinion), great background visuals and a passionate vocal performance.
But the night's best moments definitely belonged to the songs of Mayer's past, sparkling live renditions of "Why Georgia," "No Such Thing," his scaled-back cover of Tom Petty's "Free Fallin'" and an inspired mash-up of "In My Atmosphere" with "Something's Missing," a track that's particularly poignant in light of everything that's happened in Mayer's world lately. Come to think of it, maybe "My Stupid Mouth" would've been even better, but he didn't sing that one (too obvious, I guess).
Aside from the music, of course, a John Mayer show always offers the pleasure of really choice people-watching. True to form, the girls were screaming and squealing as if Zac Efron or a Jo Bro just walked by, which I don't get considering that Mayer sported a hideous, black wifebeater that showed off his plethora of arm art. And for anyone wondering at home, yes, his infamous froggie face was in full force. Apparently the one way he can do his falsetto or hit the high notes is by contorting his face in a very unattractive manner, but hey, if it isn't broke, why fix it, right?
Incidentally, the girls sitting directly behind us made me feel very old. Not only did they scream and squeal with such gusto that it made Will and I's ears hurt, but they managed to ruin Mayer's popular songs in the process by yelling the words in a particularly tone-deaf manner. At one point it was so bad, I turned around and gave one the stink-eye, which admittedly did little to quell their enthusiasm.
Equally entertaining was a guy in front of us who thought interpretative dance would be a nice addition to the festivities. The guy had one, maybe two beers, and was very, very happy, much to the chagrin of his wife who hasn't amused in the least by his waving arms and inherent dedication to acting out every one of Mayer's lyrics. At one point, his arms were fwailing (is that how you spell fwailing...doesn't look right, but I'm going with it) directly in my personal space, but before I lost an eye, his wife decided it was time to take him home. Sadly, his departure didn't make the Mayer's encore quite as fun, but I even survived through "Who Says," which, incidentally, still hasn't won me over—even with far better production quality.
One final P.S.: In the "File Under: Disturbing" category, I was a little embarrassed for my gender last night. While I fully expect girls to scream and yell "I Love You, John" because it's happened at the seven other shows I've been to, I was sad for the twenty-something who held up a sign that said "Sex?" for the concert's duration, hoping, of course, that John would see it. And given his reputation for indulging with his groupies, I'm sure she thought her bold approach just might work. As I thought about the girl holding the sign, though, I could feel is sad for such a shameless attempt to get his (and presumably any other guy in the room's attention). Ick. Ick. Ick.
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